From 1994 to 1999, I worked at a luxury portrait studio in the mid-nineties, back when families paid real money for framed portraits and hand-retouched prints. Two lessons from that job still shape how I run The Yellow Studio: luxury pricing for artists is about the entire experience (not the price tag alone), and no new tool, from Photoshop to AI, ever replaces the artist's eye. Receipts, Part 3 of the jobs that made me an entrepreneur.